Far Out Company presents a massive visual survey of countercultural design from the late sixties and seventies. The collection catalogs underground press, commune flyers, and psychedelic posters. It captures a specific era of independent publishing and graphic experimentation across cities like Boston and Montreal, documenting the visual language of the period.

These archives detail the output of diverse groups, including the Findhorn Foundation and various freeform radio stations. The list includes specific publications like The Rag and the International Times, showing how these creators used print to organize communities. Many entries highlight the intersection of music, art, and political activism through handbills and magazines.

Technical focus rests on the variety of print media used, from student magazines like Blockprint to specialized catalogs. Artists such as Rick Griffin and Wes Wilson appear alongside niche publications like The Daily Blotter. This collection preserves the raw, unpolished aesthetic of the underground press before digital design tools existed.

This inventory serves as a comprehensive map of the global psychedelic art movement. It tracks the spread of these visual styles from California to Europe through a detailed list of specific artists and communes.