During the Milan Winter Olympics, access to Leonardo da Vinci's "The Last Supper" was restricted, much to the dismay of tourists. While the public was denied entry for several days, select VIPs, including U.S. Vice President JD Vance, were granted access. This created frustration among visitors who had traveled specifically to see the iconic artwork and the church it resides in.

The closure highlights the tension between public access and the priorities of hosting major international events. The restrictions caused considerable inconvenience, disrupting travel plans and local transportation. The painting, housed in the refectory of Santa Maria delle Grazie, is a major draw for art enthusiasts and religious pilgrims alike and its closure is a significant event.

Fact: The Last Supper was commissioned by Ludovico Sforza, Duke of Milan, and da Vinci began painting it in 1495, completing it in 1498. The painting is a fresco and depicts the final meal of Jesus with his apostles.

The situation underscores the complexities of balancing cultural heritage with the demands of hosting a global sporting event. The decision to prioritize VIP access demonstrates how even iconic landmarks can be affected by the logistical and political considerations of large-scale international gatherings, leaving the general public shut out from experiencing historical treasures.